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A Huge Spherical Object Near the Sun Caught By NASA's SDO

Posted by Jack Cary on January 30, 2016 at 10:50 AM


This is the second time now that this type of huge spherical object has been filmed near the sun. The first time we witnessed this was in 2012 during a period when many ancient civilizations including the Maya had predicted global upheaval. In the years past we have covered extensively the 'Kill Shot' prediction made by some of the most accomplished remote viewers in history. This prediction dictates that a coronal mass ejection from the sun will take down the world wide power grid and cause the fall of civilization, worldwide. This event would be the ultimate Black Swan Event and constitute a true global disaster with death toll predictions of approximately 270 million in the U.S. alone, coming from the Dept. of Homeland Security. Dr. Peter Pry who heads the Dept. of Homeland Sec. Task Force on the U.S. power grid has stated publicly that this is their estimate should another so called Carrington Event occur during our present state of technological vulnurability. Now we have not one but two seperate videos of what appears to be either an unknown creature or enormoous alien ship seeming to interact with and alter our sun. In both videos the 'Sphere' appears to lower some sort of tube like appendage into the Sun before shooting off into space with incredible velocity. Some researchers have speculated that these are craft who are using the power of the sun to refuel themselves. We speculate that because of the initial timing of this interaction in 2012 and because of the ongoing Kill Shot prediction, that we may, in fact, be witnessing some sort of alien interaction with our star in an attempt to stave off the total annihilation of Earth's civilizations.

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P.I.A. Gematria Predictions for Future Events.

Posted by Jack Cary on September 25, 2012 at 6:05 PM

   

The research department at the PIA has now developed its own proprietary technique for identifying unfolding meta patterns of historical importance. Our technique is based on careful analysis of certain key words and phrases and their mathematical relationships using the ancient occult art of gematria. This is our first report and they will be more and more detailed as we iron out the kinks in the process. Thank You.

Keyword: Ison - name of an amazing comet that will be most prominent in the sky in 2013.

http://www.skymania.com/wp/2012/09/comet-ison-set-to-be-spectacular-in-2013.html/6978/

Comets have long been associated with the onset of global disasters and this has been recorded in cultures worldwide:

Hebrew Gematria Value: ISON = 189

Crosslink words with same gematria value and the PIA prediction:

1. Barack H Obama = 189 =

This indicates that Obama will still be the president when the  comet streaks by our planet in 2013. Alternatively could insenuate a "disaster" of some kind in the white house.

2. Metallica = 189 =

 This indicates some headline news regarding this band will be prominent at the time when this comet is being discussed in the mainstream media.

3. Pleiadian Life = 189 =

This indicates that alien life will be detected somewhere in the Pleiadian star constellation in 2013.

4. Fresh/Shark = 189 =

Sharks will be found in bodies of freshwater that was once thought impossible. They have already been discovered in some fresh water rivers but this indicates a far deeper problem.

5. Empire/Sharia/Gehinnom = 189 =

bismillah - crosslink = 189

these 3 words crosslinked with the word 'bismillah' which is arabic for "in the name of god."

Indicates a muslim empire will enact Sharia law and or become an issue for the world in 2013. Gehinnom is hebrew for 'hell' and indicates this country will give israel or turn israel into hell in the name of god.

6. Frida Kahlo = 189 = scribe (sub element) = 189

Lost letters of correspondance from Frida Kahlo will be discovered soon.

7. LIRR = 189 =

This indicates a disaster to occur on the Long Island railroad system sometime in 2013.

8.Ennead = 189 =

Reference to the pantheon of gods in ancient greece. This indicates a return to the worship of this pantheon atleast in Greece, sometime in 2013.

9. Amelikite = 189 =

This is a reference to the canaanites or modern day palestinians being yet again predominant in the news but also could indicate, as bizarre as it sounds, that Sasquatch is determined to be a real creature. Amelikite was the grandson of Essau and some researchers believe that the story of Essau is the story of bigfoot. This includes our research dept.

10. Bible Code = 189 ***********

This is the most important of the crosslinks. The bible code clearly indicates a cometary / asteroid impact in 2012-2013.  Under key phrase search using equidistant letter sequencing, the key phrase "end of days", has crosslinks of  "2012, cometary impact." "I will tear apart." and many other ominous crosslink messages. We cannot overstate the importance of the comet ISON having the same gematria value as Bible Code(hebrew crosslinked with english gematria).

Future reports will be available for purchase in our new upcoming web store. As always we use the utmost care in our calculations using this ancient art.

The Copycat Effect: Meet the man who predicted the Aurora shooting

Posted by Jack Cary on September 25, 2012 at 1:00 PM

Picture: Loren Coleman

  Welcome to the very strange world of "Twilight Language". This is the study of names and place names, of name games and number coincidences in history and the news. We at the PIA believe that this is also related to number 23 enigma that was first noticed by William S. Burroughs 

http://www.forteantimes.com/features/commentary/396/the_23_phenomenon.html 

   The fact that these patterns exist implies to us that they somehow show the limits of our reality structure or "bars" of our cage. The fact that the human race is awakening to these relationships means that the rat is beginning to see the way through the maze. The very respected and world famous cryptozoologist, Loren Coleman, is the first pioneer into this strange realm where one can see the continuation of patterns based on the location of place names and the names of historical figures involved. Coleman also runs a very nice site on cryptozoology at this link www.cryptomundo.com

It is through the use of twilight language techniques that Coleman was able to pick up on the fact that something horrible was going to happen that day in Aurora, Co. He is doing in human form, what the web bot designed by Clif High does on a macro level. It looks for relationships in language and then finds the common link between discourse happening all over the world. Loren Coleman's technique is much more esoteric in nature but has structure, logic and empiricism that are the hallmarks that this just isn't make believe.

http://dangerousminds.net/comments/the_copycat_effect_meet_the_man_who_predicted_the_aurora_shooting

Read more twilight language predictions here:

http://copycateffect.blogspot.com/

 

 

Scientists Rediscover the Ancient Occult Science of Using Acoustics to Manipulate Matter

Posted by Jack Cary on September 18, 2012 at 12:40 AM

          In an amazing new video, scientists reveal the use of acoustic waves to levitate different liquids holding different kinds of pharmaceuticals. This is being heralded as a major advance in the production of medicines as this allows for greater manipulation on the molecular scale. What is of even greater importance however, is that this is a rediscovery of the ancient art of using acoustics or "sound waves" to manipulate matter. Ancient occult theory and lore talks about a time when the ancients possessed this ability and there are many ancient manuscripts which survive that describe how "magicians" were able to levitate megalithic rocks with the use of sound waves. This occult teaching survives today in modern western magickal practices. This stream of knowledge can be detected as a pattern in the writings of several very well respected modern day practitioners of western magick like Blavatsky, Donald M. Kraig, Israel Regardie, and Carlos Castenada who all speak of this ancient knowledge in their writings.

The portion of the emanations inside man’s cocoon is in there only for awareness, and that awareness is matching that portion of the emanations with the same portion of emanations at large. They are called emanations at large because they are immense... inside man’s cocoon the unknown is the emanations untouched by awareness.When the glow of awareness touches them, they become active and can be aligned with the corresponding emanations at large. Once that happens the unknown is perceived and becomes the known."

(Castenada, "The Fire From Within" p 207)

 

 A stream of this knowledge was also recorded, disguised though it is, in the story of Jericho. This was a war event whereby the Jewish nation used giant horns to knock down the walls of Jericho. This is an allusion to the same science that was lost in the turbulant history of man. What is even more esoteric in nature is the idea and knowledge that human biology too can exhibit harmonics, and that it was the mastering of the body's ability to do just that , that is the true understanding and meaning of so-called "magickal practices" from around the world. This also would insenuate a singular source for this knowledge that was then propogated through successive cultures as time and history progressed. There are also ancient egyptian papyrus that speak of the monuments being built by people who could levitate stone. We have included multiple links and imbedded videos for research.

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Read more here:

http://www.anl.gov/articles/no-magic-show-real-world-levitation-inspire-better-pharmaceuticals

http://www.humanresonance.org/pyramid.html

Here is a good modern day example of ancient knowledge where it is shown that a simple Tibetan singing bowl can also levitate liquid. This was done with one bowl. Imagine the effect if thousands were employed and tuned to the right frequency.

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John Dee & the Enochian Apocalypse

Posted by Jack Cary on September 11, 2012 at 7:10 PM

We agree on many of the opinions found in the following article regarding John Dee and his Enochian system. We would also add that the Enochian language which is the same as the lost Anu-Nakkian language, relys on the laws of harmonics in order to have its effect on the fabric of our 'reality'. The correct pronunciation of the Enochian Calls is what opens the gates and allows a temporal/spacial rip to occur in the electromagnetic membrane which separates our dimension from theirs. Crowley knew and understood this but was uncertain as to the exact geographic locations where they needed to be sounded. Dee left clues regarding which angels controlled which geographic areas, but there were mistakes in the original published works of his, which left others like Crowley, not exactly certain about many of the details of the working.

http://www.newdawnmagazine.com/articles/john-dee-the-enochian-apocalypse

The Pineal Gland or Third Eye and the Greatest Cover Up In History

Posted by Jack Cary on June 19, 2012 at 6:45 PM

Although much more could have been added to the analysis provided by the author, we believe in the major theme of the this piece. Psychic abilities are real and everyone to some degree possesse's them. Those who don't believe in such things should note that many in power do, and act accordingly. All through history there have been occult adepts who have understood the role of the pineal gland and its potential and have sought to suppress this knowledge under the guise of protecting the knowledge for future generations. These are the so-called mystery schools and religions of old that still survivie today in various bodies worldwide.

http://www.wakingtimes.com/2012/06/19/pineal-gland-our-third-eye-the-biggest-cover-up-in-human-history/

 

Cuzco, Peru UFO and the Hidden Occult Connection

Posted by Jack Cary on April 16, 2012 at 9:35 AM

This could very well be the best UFO picture ever taken. The witness who took the photo is by all accounts not capable of CGI manipulation and when zoomed in 1000 times, the photo reveals breathtaking detail. Beyond this, the P.I.A. is aware of a very deep occult connection to Cuzco, Peru.  In a little known and very remarkable book called A Monument to the End of Time: Alchemy, Fulcanelli, and the Great Cross by Weidner and Bridge, we find an amazing connection to the European esoteric stream. This remarkable text describes how the so-called galactic alignment is deeply embedded within European esotericism, including Gothic architecture, alchemy and astrology. This tradition and knwoledge of the Galactic Center is found as a high initiatory location within Renaissance alchemy and the Holy Grail mythos. The Arthurian story tradition about the Holy Grail involves the soul's journey to paradise, the center of the world, where the cup of immortality is finally found to quench the seeker's thirst for spiritual vision and truth. In the kabbalah the Galactic Center corresponds to the axis running between Kether and Malkuth, the highest and lowest sephiroth on the Tree of Life. These kabbalistic diagrams were encoded into all manner of Gothic architecture especially the Saint Denis cathedral and Notre Dame. The authors of A Monument to the End of Time examined closely the premier authority on Gothic cathedral architecture, an enigmatic figure named Fulcanelli. 

 Fulcanelli published a very interesting book titled The Mysteries of the Cathedrals  in which we find an amazing connection between the underground esoteric illuminati stream and Cuzco, Peru where a massive UFO was recently photographed. Fulcanielli's book contains a very revealing chapter called  The Cyclic Cross at Hendaye. This cross is located in Hendaye, France and its construction contains a fantastic secret concerning the Galactic Center and the coming galactic allignment of Dec 21, 2012. The cross monument itself was inscribed with typical medieval symbols drawn from astrology, alchemy and tarot and was erected in the 1600s but no one knows by who.

The Hendaye Cross has encoded information about the Apocalyptic Day of Judgement, a still but barely surviving high secret of ancient Egyptian eschatology.  Interestingly, no one really knows who Fulcanelli was either. It is presumed that this is a psuedonym because it is clear that this man was no mere dabbler in the occult arts, rather he had to of been an initiate into the deep esoteric stream of European occultism. Fulcanelli was extremely careful in his writings not to say too much. The mother deity associated with this lost layer was Isis and even though she was derided, the Isis cult did find its own underground stream into Medieval Europe, thriving as the Black Madonna and Mary Magdalene folklore throughout southern France. The Cross at Hendaye should be seen in its larger context of hidden information, understood only at high levels of esoteric delegation and operating behind the scenes of history.  In Mysteries of the Cathedrals, Fulcanelli wrote

" The Hendaye cross shows by the decoration of its pedestal that it is the strangest monument of primitive millenarism, the rarest symbolic translation of chiliasm, that I have ever met....The unknown workman, who made these images, possessed real and profound knowledge of the universe."

        

The cross itself is twelve feet high and the pillar is topped with a cross that contains these two inscriptions:

OCRUXAVES PESUNICA on one side and INRI on the other side. The first translates literally as "Hail, oh cross, our only hope."  Fulcanelli understood this to be an anagram for the following phrase:

OCRU S AVEC PECU NICA  Translated this means INCA CAVE, CUSCO, PERU.  The authors of A Monument to the End of Time were able to travel to Cuzco, Peru. This was done in an attempt to locate the Place of Refuge from the Day of Judgement that Fulcanelli insisted was encoded into the cross. Once there they discovered a conquest era document form Peru containing the exact same images found on the cross. Weidner and Bridge provide in-depth analysis of the multiple meanings of the Cross's inscriptions. The sun's face is angry announcing the Day of Judgement is at hand. it is located in the middle of four corner stars, suggesting it occupies a fifth 'cosmic center' location. The man in the moon symbol found on the cross is representative of the moon boats found in medieval art, suggesting an eclipse as well and ark in which to escape the coming catastrophe. The starburst indicates an explosive solar flare coming from the sun and the four A shapes represent the cycle of the great year of precession.

The INRI inscription on the backside of the cross is the inscription some say was inscribed on the cross of Jesus, but in esoteric tradition it has other more pertinent meanings. In occult tradition it means the following Igne Natura Renovatur Integra ( by fire nature is renewed whole). In the deep esoteric stream of medieval Europe this inscription INRI meant and referred to the Fallen Angels of biblical and esoteric lore. Many researchers believe these fallen angel stories to be about the Anunnaki and the current UFO enigma. The presence of a massive UFO at this site is a message of sorts to those 'in the know' and portends scary things ahead.

The temple of the Sun is also located here. Fitting name given the fact that people sought refuge here from the last coronal mass ejection that nearly wiped out humanity.

http://www.youtube.com/watch?v=fIp1TQeypyE

 

Green Glowing Whale Size Object Falls From Conneticut Sky.

Posted by Jack Cary on April 14, 2012 at 3:05 PM

A state trooper and a motorist reported seeing a large green glowing object falling from the sky in Conneticut plunging into Litchfield Lake. Below is a link to this still unsolved mystery of a story.

http://www.foxnews.com/scitech/2012/04/12/mysterious-object-falls-from-connecticut-sky-state-trooper-says/

Was the (very fake) Mcpherson Abduction Movie Made by Dean Alioto Hijacked by Black Op's?

Posted by Jack Cary on April 14, 2012 at 11:45 AM

Every researcher should be well aware that the so called Mcpherson tape is a fake. It was made 'blair witch' style in 1998 by Dean Alioto after he read the books 'communion'  by Whitley Strieber and Budd Hopkins' 'Missing Time'. When we examine the true and very bizarre story of the event's surrounding the making of this movie we stumble across what appears to be a 'black Operation' being conducted to discredit the UFO community.  Mr. Alioto's correspondance is below. Take careful notice of the fact that the tape was 'bootlegged' and altered so as to make it look real and then clandestinely interjected into the UFO community.  This was done, knowing that eventually the truth would come out and the UFO community would look like true idiots for signing on to its authenticity.  This is an obvious intelligence operation and Mr. Alioto was an unwilling participant.  The burning of the building that housed the original of the footage was done in an attempt to 'hijack' Mr. Alioto's film for the purposes of conducting this operation. 

Here is the whole unedited strange story of how my 1989 $6,500 video entitled UFO Abduction became the UPN special, Alien Abduction: Incident In Lake County...

In 1988 I was headed for my 25th birthday and I had not yet made my first feature film -- this 25th year mark is crucial for most filmmakers as it was the age that, Orson Wells, Coppola, Scorsese, Spielberg all had made their first films by. Unlike them, I had a budget that equaled the size of craft service for a day on a studio feature film. One night after reading the latest books on the UFO phenomenon (Communion, Missing Time, and the books of Jacques Vale), I came up with the idea of making the most realistic movie on UFO abduction ever made. The best part of the idea was that it could be done for my miniscule budget. I wrote an outline of twenty action beats based on the claimed abduction experience. I hired a group of skilled improve actors, except for myself who played the 16 year old shooting the video, and shot the direct-to-video movie in one night, in one continuous take, on 8mm video. The guy who created the UFO craft and aliens has since gone on to be the production designer for the recent live-action Scooby-Doo films -- Bill Boes.

Here's where things get "strange". The video actually got distributed. However, a few months later the distribution company burned to the ground. I lost my 1 inch master tape and all of my artwork, leaving me with my original tapes and a 3/4 inch copy. I figured, "Oh, well -- time to move on" and forgot about my first attempt at a feature film. Five years later, 1994, I begin getting calls from Unsolved Mysteries, Hard Copy, and a show called Encounters. They all want to know if I knew who had found some mysterious UFO tape that had been passed around the UFO community for the past five years. The tape, without a title or credits, was believed by many people to be real footage of an alien abduction.

When I finally stopped laughing and told them no one had found the tape, that I had made it and own the rights, they told me what my little video had been up to. Apparently, someone -- much more crafty than myself -- had made an edited bootleg copy of my video and injected it into the UFO community, hyping it all the way to the 1993 International UFO Congress Convention where it brought the house down. A Lieutenant Colonel with 40 years military intelligence, who was on the panel at the convention, determined right there that the tape was real! When I tried to ascertain how all this happened no one was able to find "patient zero" -- the person who bootlegged the tape. I was aware that a few sample copies were made in 1989 by the distributor, before the company was burned, and that these copies were sent out to a few mom and pop video stores around the country. That's was it.

After I was interviewed on Encounters (by the same guy that would go on to produce Alien Autopsy), and the local news, Mr. American Bandstand, Dick Clark, would enter into this strange story. In 1995 I got hired to direct on a crime reenactment series called US Customs: Classified. There, I became friends with Paul Chitlik, the head writer. Paul had heard me mention the tape once and insisted I let him see the video. After I finally got around to showing it to him (I delayed giving it to him because, at the time, I was a little too embarrassed to show him something that wasn't as slick as my current directing samples), he told me he could get us a made-for-TV movie deal with the video. I laughed at him and flippantly said "Yeah, okay, Paul. I want a story by credit, you can write the teleplay, I'll direct it, and we can produce it together." He said okay and a week later we had a deal at Dick Clark to remake my little first feature. A year and a half later of turn-around nightmares at Showtime we ended up at UPN.

This time around I had a $1.2 million dollar budget and the guys from The X-Files were creating our space ship and aliens. Like in my original, we used little kids to play the aliens. We shot the remake in Vancouver in a week -- the first ever made-for-TV movie shot in 5 days. We did twenty-minute takes and floated three weather balloons with lights in them above the house set so I could shoot 360 degrees without seeing a light. I directed the whole movie from a small remote camera monitor in a room in the back of the house. I gave camera directions to the cameraman and the actors followed preset precise blocking movements, like a play. I have to admit it was a blast. We came in $300,000 under budget and left feeling like we had created the most original alien story since Orson Well's version of H.G. Welles' War Of The Worlds. Then the you-know-what hit the fan.

While we were up in Canada making our movie, Paramount replaced all of the big execs at UPN. This sucks especially hard if you're a creator of a show that the new execs didn't green light. It is the ritual of all new execs to piss on the tree they didn't plant. I heard from the head of TV movies guy that the first big exec screening of Alien Abduction (which still had the imaginative title of The McPherson Tapes) was the worst screening of his career. The big boys were actually throwing food at the screen! A decision was reached by Dick Clark productions and UPN to dump Paul and I and bring in someone else to cut the movie down to one-hour and add several new interviews, one of them was poor Stanton Friedman. They ended up having to pay myself and Paul union damages for cutting us out. However, the worst thing they did was to remove the commercial bumper tags which were to read, "The program you are watching is fictional", like the ones used on the CBS movie Special Bulletin. This caused much outrage in the UFO community and even incited a nation wide boycott of UPN.

The last laugh would be enjoyed by myself however. The show aired and became the highest rated show ever for UPN's Tuesday primetime slot. Their website, which normally receives 10,000 hits a day, got 300,000 hits during the hour that the show aired. It was a hit! When they put back more of my abduction footage for the second showing they pulled in more great numbers and ended up with 1.3 million website hits! Another satisfying note is that my two-hour TV movie version was the one that was distributed in Europe. It has amassed quite a following and I still, five years later, get occasional e-mails from places like Denmark, asking about the movie. The original UFO Abduction has gone on to air on a Japanese Unsolved Mysteries type show and won them the best primetime network ratings for the week, even beating out ER.

The original, which I still own the rights to, is for sale and can be purchased through my e-mail address. Lastly, if you can believe it, I am developing another UFO feature. Go figure. My large fan base, which I have unintentionally amassed, has taught me to respect the work I have done and continue to try and make projects that stir, excite, and cause people to wonder.

Hope you enjoyed my "strange" but very true tale. You are free, should you wish, to publish any part of this e-mail for the purposes of your website.

Take care,

Dean Alioto

* * * *

below is the link to the film.

http://www.youtube.com/watch?v=mUgRCPKP1jg

Atlantis Astronauts Spot Three UFO's

Posted by Jack Cary on April 13, 2012 at 7:20 PM

This footage released by NASA clearly shows the astronauts aboard  Atlantis spotting UFO's outside the shuttle and reporting it to Houston. One astronaut on film states "It's a structure that's definitely not rigid. Doesn't look like anything I've ever seen on the outside of the Shuttle, that's for sure [...] [it] quickly moved to the nose of the orbiter, moving away at least 100 feet."

http://www.youtube.com/watch?v=HKvmOYhdaQw