|Posted by Jack Cary on September 28, 2017 at 4:30 PM|
For decades the intelligence community led by the C.I.A. have taken great steps to both infiltrate and control Hollywood and the making of films in the U.S. The evidence is both vast and inarguable. In recent years a number of respected journalist have researched this fact and have published books detailing this clandestine action. In the span of time since the C.I.A. has actively inserted itself into the mass media of movie making, they have developed a technique known among operatives as 'Predictive Programming'. Programmed Predictives are now used to both manipulate public opinion and control the American public through subversive means. It is used to paint the agency in a positive light and at it's darkest, it is used to conduct 'false flag' events that are used on a regular basis in order to control American public opinion in favor of a number of foriegn policy initiatives.
Although some researchers believe that the infiltration of Hollywood began in the 1950's, it can be argued that this was preceded by 'Operation Mockingbird'. This operation began in the 1950's and was an initial attempt by the intelligence community to control the news media within the U.S.. Operation Mockingbird also sought to use student, cultural organizations and magazines as front organizations for propaganda purposes. According to writer Deborah Davis, Mockingbird was aggressive in recruiting leading journalists into a propaganda network and also provided funding to the National Student Association.
The first mention of 'Operation Mockingbird', appeared in 'Katherine the Great' a 1979 biography of Washington Post owner Katherine Graham written by reporter Deborah Davis. According to Davis, Operation Mockingbird was overseen by a C.I.A. agent named Frank Wisner, Director of the Office of Policy Coordination, a covert operations unit created by the U.S. National Security Council. Mockingbird was implemented in response to a soviet front operation called the 'International Organization of Journalists'. This organization recieved funding from Moscow and eventually controlled major journalists in almost every major newspaper in Europe. Wisner recruited Phil Graham from The Washington Post to run the 'Mockingbird' project within the industry. According to Davis, "By the early 1950s, Wisner 'owned' respected members of The New York Times, Newsweek, CBS and other communications vehicles." Davis goes on to write, "In 1951, Allen Dulles persuaded Cord Meyer to join the CIA. According to Deborah Davis, Meyer became Mockingbird's "principal operative." After 1953, the media network was overseen by CIA Director Allen Dulles, by which time Operation Mockingbird had major influence over 25 newspapers and wire agencies. The usual method was placing reports developed from intelligence provided by the CIA to cooperating or unwitting reporters. Those reports would be repeated or cited by the preceding reporters, which in turn would then be cited throughout the media wire services. These networks were run by people with well-known liberal but pro-American big business and anti-Soviet views, such as William S. Paley (CBS), Henry Luce (Time and Life), Arthur Hays Sulzberger (The New York Times), Alfred Friendly (managing editor of The Washington Post), Jerry O'Leary (The Washington Star), Hal Hendrix (Miami News), Barry Bingham, Sr. (Louisville Courier-Journal), James S. Copley (Copley News Services) and Joseph Harrison (The Christian Science Monitor)."
According to 'The Atlantic' a respected online news agency the agencies efforts in recent years have become extremely vast and far reaching. They write:
"The CIA has a long history of “spooking the news,” dating back to its earliest days when the legendary spymaster Allen Dulles and his top staff drank and dined regularly with the press elite of New York and Washington, and the agency boasted hundreds of U.S. and foreign journalists as paid and unpaid assets. In 1977, after this systematic media manipulation was publicly exposed by congressional investigations, the CIA created an Office of Public Affairs that was tasked with guiding press coverage of intelligence matters in a more transparent fashion. The agency insists that it no longer maintains a stable of friendly American journalists, and that its efforts to influence the press are much more above board. But, in truth, the intelligence empire’s efforts to manufacture the truth and mold public opinion are more vast and varied than ever before. One of its foremost assets? Hollywood."
In fact, since the 1990's and especially after the events of 911, the C.I.A. has only gained ever more power of what is produced in Hollywood and often trade film makers both favors and special access in return for carrying out the agenda of Predictive Programming. There is evidence that ever since it's inception in 1947, the C.I.A. has been actively engaged in Hollywood but it wasn't until the 1990's that they appointed a special 'Entertainment Industry Liason Officer' to head up this operational mandate. During the Clinton administration the C.I.A. took it's Hollywood strategy to a whole new level. In 1996 the agency hired a veteran covert agent named Chase Brandon to begin openly engaging in Hollywood in order to take control of what the agency referred to as 'Self Myth Making'. At that time Brandon told 'The Guardian' the following in an article about the agency:
“We’ve always been portrayed erroneously as evil and Machiavellian,” Brandon later told The Guardian. “It took us a long time to support projects that portray us in the light we want to be seen in.”
One of the biggest efforts to sway public opinion and paint the agency in a positive light came in the form of the Tom Clancy franchise. The Atlantic stated the following concerning this fact:
The flag-waving Tom Clancy franchise became a centerpiece of CIA propaganda in the 1990s, with a succession of actors (Alec Baldwin, Harrison Ford, and finally Ben Affleck) starring in films like Patriot Games, Clear and Present Danger, and The Sum of All Fears, which pit the daring agent Jack Ryan against an array of enemies, from terrorists to South American drug lords to nuclear-armed white supremacists.
The long relationship between Affleck, a prominent Hollywood liberal, and Langley seems particularly perplexing. But the mutual admiration has paid off handsomely for all concerned. According to The Guardian, during the production of The Sum of all Fears, the 2002 Clancy thriller starring Affleck, “the agency was happy to bring its makers to Langley for a personal tour of headquarters, and to offer [the star] access to agency analysts. When filming began, [CIA liaison] Brandon was on set to advise.”
Brandon who was extremely active in Hollywood was also a regular on Jennifer Garner's T.V. show 'Alias'. Garner is the long time wife of Ben Affleck showing that the C.I.A. already had an existing pathway by which to influence her and the producers of 'Alias'. Brandon is quoted as stating:
“Although Alias is fictional, the character Jennifer Garner plays embodies the integrity, patriotism, and intelligence the CIA looks for.”
In fact, the relationship between Garner and the C.I.A. continued to grow to the point that in 2004 she accepted an assignment of filming a recruitment video for the agency which is still shown to prospective clandestine agents. This fact shows the depths of the merger between the C.I.A. and Hollywood's elite. In 2004 the agency released the following statement regarding Garner's role with the C.I.A.:
“The video emphasizes the CIA’s mission, and its need for people with diverse backgrounds and foreign language skills,” the agency’s press release stated. “Ms. Garner was excited to participate in the video after being asked by the Office of Public Affairs. The CIA’s Film Industry Liaison worked with the writers of Alias during the first season to educate them on fundamental tradecraft. Although the show Alias is fictional, the character Jennifer Garner plays embodies the integrity, patriotism, and intelligence the CIA looks for in its officers.”
The concern isn't that the C.I.A. is attempting to bolster public opinion so that they look good, the concern is that there is also a vast amount of evidence that this program has taken a much darker turn and is now being used clandestinely to pepetrate social engineering and the mass manipulation of public opinion to justify crimes against the American people. In recent years it has become evident that C.I.A. has been using Hollywood to use "Programmed Prediction" in it's movies and in television shows that seem to be a way of not only foretelling the future but also as a way to desensitize the public to a number of 'false flag' operations which have been used to get the American public behind it's foriegn policy initiatives in an artificial way.
One of the most striking, compelling, and shocking examples of this comes from X-Files creator Chris Carter who launched a spinoff show called 'Lone Gunmen'. This program ran an episode 6 months before the events of 911 that show in detail the event itself. It is known that Chris Carter was in contact with the C.I.A. and had been approached a number of time concerning content being covered in the X-Files program. The video of this episode of 'Lone Gunmen' is below.
We must ask ourselves how Chris Carter knew this event was going to happen a full six months before they occurred. Given the extensive relationship between Hollywood and the C.I.A. there is ample reason to believe that this was a pre-planned event and was known to operatives of the C.I.A. well in advance of it's occurrence. This is not the only frightening example. It was proven through Operation Mockingbird that the so-called free news media has been manipulated on a mass scale as well and is being used to control the opinions, hearts, and minds of the American public. The event of the Sandy Hook school shooting as well as others very much like it was predicted by ex-Naval Intelligence officer Milton Cooper in his seminal book 'Behold a Pale Horse'. Cooper wrote:
“The government encouraged the manufacture and importation of firearms for the criminals to use. This is intended to foster a feeling of insecurity, which would lead the American people to voluntarily disarm themselves by passing laws against firearms. Using drugs and hypnosis on mental patients in a process called Orion, the CIA inculcated the desire in these people to open fire on schoolyards and thus inflame the ant-igun lobby. This plan is well under way, and so far is working perfectly. The middle class is begging the government to do away with the 2nd Amendment.” (William Cooper 1991)
It seems the C.I.A. through it's news media operatives has been actively attempting to undermine the second ammendment and encourage the American public to voluntarily engage in strict gun control through false flag operations which stem from it's ability to control the News in this country. As in Sandy Hook, many facts are never given to the public and the use of 'Crisis Actors' has been employed by operatives within the News media in order to further sway public opinion. This is being conducted in an attempt to gain ever more control over a populace that the Intelligence community is slowly losing control over. One such example of the news not reporting all the facts is that Adam Lanza's parents both had ties to D.A.R.P.A Defense Advanced Research Projects Administration. In the following news footage one can see Adam Lanza's 'control' officer running from the scene of the crime. This man was stopped by police but was never identified and was let go after presenting his identification. The following video is that news report:
Another example of project Orion can be found in the movie theater shooting that occurred in Aurora, Colorado. James Holmes may have been another operation Orion victim. It has been speculated by investigators that he was 'programmed' to conduct the crime he committed. This programming works so that the operative is 'activated' by a certain scene of a particular movie. The scene is chosen by the control officer and when it is time to activate the 'shooter', they are simply shown the movie in which the scene is located. Often these scenes contain subliminal messages which become the trigger for the 'shooter'. This is the very dark side of 'Programmed Predictives' as they are now being used by certain elements within the intelligence community. How far they are able to take these operations will in large part dictate what happens to our society. It is the hope of the P.I.A. that the American public will awaken to what is happening and once again take steps to have a fair and free press.