|Posted by P.I.A. on June 4, 2017 at 1:35 PM|
The truth behind Stanley Kubric's role in N.A.S.A.'s Apollo missions has been one of speculation by a number of researchers over the years. Chief among these researchers is the accomplished film producer Jay Weidner. Kubric's role in the missions has been the topic of a number of Weidner's films and it is primarily in his very sound research that one can see a glimpse of the truth of what actually occurred to Kubric.
Jay Weidner is both a film producer as well as an adept film student who has undertaken years of analysis of both the moon landing footage as well as the complete corpus of Kubric's cinematic work. Upon forensic analysis of the moon landing footage a number of anomalies were discovered, which could only be explained by the use of technology which would have been considered extremely advanced in the early 1960's. Weidner's investigation discovered that in late 1963, Stanley Kubric was approached by elements of the U.S. Intelligence community and tasked with the job of faking the now famous Apollo moon landings. This is where Weidner's investigation alters from so many conspiracy theories surrounding the Apollo moon landings. Many conspiracists claim that man never even made it to the moon but Weidner's investigation offers an alternative theory. His theory states that we did indeed successfully make it to the moon but that the footage was faked as a 'just in case' scenario. The intelligence agents that approached Kubric were likewise tasked with conducting the hoax mostly in case of failure. The idea of this operation was that if we did not successfully land on the moon, the footage would be aired anyway along with claims of success. These operatives would then be able to claim that the astronauts had successfully made the landing but died heroically on their way back. Another reason for the fakery of this footage, according to Weidner's work is that the U.S. was engaged in a death match of a cold war with the Soviet Union and didn't want to show the Russians the technology that was really being used to get our astronauts to space.
Kubric's payoff for engaging in this operation was that he was going to be able to make any movie he wanted for the rest of his life with very little or no oversight from anyone. This agreement apparently continued until his final movie "Eyes Wide Shut', where he supplies an insiders look a the globally powerful cult which largely controls world politics and resources on this planet.
Upon careful analysis of the moon landing footage, when compared to the footage of '2001 A Space Odyssey', an amazing coincidence can be seen. This coincidence is that both the movie and the moon landing footage were created using a then newly discovered cinematic technique known as 'Front Screen Projection'. This technique utilized a new material that had been developed by the 3M corporation called Scotch Light. This material used hundreds of thousands of tiny glass beads. These beads are highly reflective. In the Front Screen Projection technique, this material would be placed at the back of the soundstage. The plane of the camera lense and the Scotch Light screen had to be exactly 90 degrees apart. The projector would then project the false scene onto the Scotch Light screen through a mirror. The light would then go through a beam splitter that would then pass the light into the camera. An actor could then stand in front of the Scotch Light screen and appear to be fully in the scene being projected. This technique was used extensively in 2001 A Space Odyssey. The Apollo footage and the movie 2001 were filmed almost simultaneously in two seperate studios located in London. This footage was faked 3-4 years before it was ever seen by the public.
It is believed that 2001 'A Space Odyssey' was one of the first attempts at the Intelligence community's use of the technique now known as 'Programmed Predicitives'. This is the use of Hollywood movies and imagery to get the public to begin to accept or believe in something before it is ever officially revealed. It is the ulimate attempt as social engineering, using the media of images. In this film, Kubric used the technique of slowing down the actor's real speed through a slow motion camera technique, something he also utilized in the moon landing footage. In reality, the movements of the astronauts should have been much quicker and sharper in an atmosphere which provides almost no resistance. This was an attempt to get the public to accept the unnatural movement of the astronauts as being natural.